A pdf of my authorship is on display at the Julia Davis Library. It concerns Michael Marshall, whose works I discovered at the branch. Mr. Marshall is, I believe, an excellent artist.
He now is an art professor at the University Of Hawaii Hilo.
Thanks to Mr. Marshall and the management at the Julia Davis Library for allowing me to display this document.
Morning commute. I have been meaning to get a picture of this view of the city for some time.
This week I got back to painting, and created 2 16 by 20″ works.
I have been thinking that art often uses sensations in a sort of metaphorical way. ie– something looks polished and expensive, and this represents both the item, the subject matter, and the audience for which it’s made. Or, an industrial drone texture sounds rough– and this servers as a metaphor for modern life being rough, for the urban aesthetic having lots of abrasive qualities, for life itself in the city being abrasive at times. To me, there’s no guarantee that art actually creates the visceral effect that it implies. Rather, it suggests an effect, to the senses, and the viewer’s mind interprets this suggestion in various ways.
Perhaps, one might suggest that the degree to which art is successful depends on how evocative it is of the values and ideas wrapped up in it. There are some, though, who would say that art that is too visceral “sells out”, or is cheap.
All of this is, of course, open to discussion.
A short essay about trying to make it in visual art in the Saint Louis arts community.
Me And The Art Machine
This set of videos reflects a method used by multi-disciplinary artist Thomas Park. He called the method, “Near Still-Lifes”. Thomas would set his camera up to remain stationary for longer periods of time. The only motion would be that captured incidentally in the scenes filmed.
My wife gave me a neat little kit that uses sunlight to create prints for Christmas. Here are a couple of examples (I used a black marker to add extra touches).